Rokinon equivalent lens line name: Rokinon A uto Focus Samyang XP 85mm F1.2 Credit: Samyang Samyang XP Premium Introduced in early 2017, the XP Premium line is designed for high … Whether you’re a landscape photographer, a nightscape photographer, or an in-your-face portrait or action sports photographer, you might be in the market for an ultra-wide prime lens. In one corner, we have the Rokinon 14mm f/2.4 SP which is built very solidly. The Rokinon also has a handy distance scale stamped on it, whereas the Zeiss does not. However, there are 19 sunstar points and they’re still not the classic, thin, sharp-pointed stars that I like to see. I don't intend to use this lens too much so I have no intention of spending the same as I would on a good refractor for this. 24mm means about 38mm for me, so I decided to go for the 14mm instead. Sony FE 85mm f/1.8 vs. Samyang/Rokinon 75mm f/1.4 Sony's own 85mm f/1.8 lens has been the comparison block to new entries within the 85 focal length. I don't intend to use this lens too much so I have no intention of spending the same as I would on a good refractor for this. Rokinon 14mm f/2.8 AF, Canon 6D | 30 sec at f/5.6 ISO 800. I'm using crop-sensor for now anyways. Rokinon 14mm f/2.8 AF, Canon 6D | 4 sec at f/2.8 ISO 3200. I don't know for sure, but most likely the Rokinon is imported through the "official" importer, while a Samyang branded lens in the USA is possibly a parallel import or … The older lens is a bit “colder”. I'm aware that they sell the same lens just under different brand name but my question is both the companies use … The Rokinon 14mm f/2.8 AF is somewhere in the middle. (For those of you who are wondering, yes, each of these three lenses utterly destroys the Canon and Nikon 14mm f/2.8 primes, which are very outdated at this point). Read more Sony A7 vs A7 II vs A7 III Yes. Corporate Info. The Sigma versus Rokinon (Samyang is another brand name for the same Rokinon lenses in the USA) debate has been going for a few years now … The autofocus models are of course more expensive for that same focal length. More precisely, the two lenses that I am going to compare are the Irix 15mm f/2.4 Blackstone and the Rokinon (Samyang) 14mm T3.1 VDSLR IF ED AS UMC. Rokinon 135mm f/2 ED UMC (also branded as Samyang outside the US - it's the same lens under a different name) is a manual focus telephoto lens, that was probably designed and manufactured for astrophotography purposely (the verdict spoilered in the first sentence of the review! Lastly, as an astro-landscape photographer, my personal favorite of the bunch is the Rokinon 14mm f/2.4 SP. I own a 12mm f/2.8 Rokinon and 135mm f/2.0 Samyang. Rokinon 14mm f/2.8 AF, Canon 6D | 30 sec at f/11 ISO 100. Luckily, the Walimex website (which is the German rebrand for Samyang lenses) also shows the 8mm v. II as available. I’ll discuss this more in my review of the Rokinon 12mm f/2.0. And the next step up is considerably more expensive. The Firefly is the lighter weight, mostly plastic option, the Blackstone is the metal bodied, more rugged (and weather-sealed) option. The lens will gets its first public showing at the free The Photography Show & The Video Show Virtual Festival taking place on 20-21 September. For me, when I shot Canon (24-105 f/4L) and with my X-E2 and X-Pro2 (18-55 f2.8-4), I tend to shoot at the wide and tele ends about 90% of the time, pretty evenly at both ends. Samyang, Rokinon, V1, V2, e-mount, x-mount, silver, black etc. The Samyang (Rokinon) 12mm f/2.0 NCS CS is not a perfect lens. Rokinon Samyang 12mm vs Fuji 16mm. (On Canon 6D), In the extreme corner, the new Rokinon 14mm f/2.8 AF is a bit sharper than the older lens. Rokinon (Samyang) lenses aren’t known for perfectly matching name-brand lens color reproduction, or that overall vibrant “pop” that a Canon L lens might offer. So if you’re not shooting something like action sports or weddings, you’ll probably be just fine with a manual focus lens, using magnified live view to focus. The Rokinon version is scheduled for November and will cost $399. I'm going to buy a wide-angle lens to shoot timelapses and milky way shots while my deep sky setup is clicking away. Rokinon (Samyang) lenses aren’t known for perfectly matching name-brand lens color reproduction, or that overall vibrant “pop” that a Canon L lens might offer. In fact, in the 100% crop examples below you’ll notice that I don’t even bother with stopped-down examples until I get to the extreme corners, because all three of these lenses are just that sharp wide-open! From what I've seen they're about as good as it gets at that price point. This is a beautifully designed little lens. Rokinon 12mm F2 pros: Rokinon 12mm F2 … Despite the fact that it's one of the older options, it still has a lot of fight left in it until an M2 version is eventually released. From what I've seen they're about as good as it gets at that price point. It’s got quite visible chromatic aberration, fairly strong vignetting and lacks biting corner sharpness. they are the same. It can also be used with Sony's APS-C models where it provides an equivalent focal length of 67.5mm. I will be taking photos of my hometown with the two lenses and will compare the experience of using o… If you use 14mm a little bit more often, for things like event and portrait photography, get the Rokinon 14mm f/2.8 AF. Both of the Rokinon 14mm f/2.8’s make great travel ultra-wide lenses. The sunstars (at f/~4) are impressively close to the classic sunstars of yesteryear’s un-rounded aperture blades. The 135 is another one on my list but not a priority as I have some cheap zoom lenses that cover that range (although not as sharp as the rokinon). Problem is I have a T4i/650D camera so it's not full frame. So, if you are tough on your gear, you’ll probably break it eventually. If your priorities as a photographer involve portability, affordability, and overall image quality, then one (well, likely two) of these lenses will suit you very well. Their very first optical design was the “nifty fifty” of ultra-wide primes, the manual focus Rokinon 14mm f/2.8 UMC. The UMC 14mm f/2.8, by comparison, has incredible focus throw, taking almost a full rotation to go from infinity to ~27cm. Note that vignetting was fully corrected in the extreme corners, of course. It’s got almost flawless image quality wide-open, through its whole focal range. You currently have javascript disabled. I'm going to ask their sales reps about the difference and then decide. (On Canon 6D), At the rule-of-thirds zone, all three lenses remain roughly the same exact sharpness! This is the Rokinon (Samyang) cine lens version which is a bit different than the ‘standard’ model. Thankfully, the other two lenses have much less distortion, and it is more “barrel” than “mustache”. I don't know for sure, but most likely the Rokinon is imported through the "official" importer, while a Samyang branded lens in the USA is possibly a parallel import or something like that. It feels ready to stand the test of time along with any Canon, Nikon, or maybe even a Zeiss lens. And thankfully, it is. Rokinon, like all third-party lenses, won’t give you as perfectly neutral, vibrant colors as the name-brand lenses. (Spoiler: it’s pretty compact, and it’s pretty sharp too!). I'm using crop-sensor for now anyways. All three of these 14mm lenses are impressively sharp, even wide open at f/2.8, from the center to past the rule-of-thirds area. So, which one is the best lens for you? And yes, they do have faint color differences. However for some weird reason, at f/4 or so the sunstars are awesome, sharp pin-points! As you found out, Rokinon is the same lens, just branded under a different name in the USA. This is why the price can sometimes be different for the same product (even with the same name) from the same store. etc.? It’s incredibly sharp, has low vignetting, low distortion, and only a faint bit of coma. … Samyang is a South Korean lens manufacturer with nearly 50 years of experience, striving to deliver quality optics at affordable prices. There are even more if you’re willing to “settle” for 15mm. Here’s a 10-minute video from Nature TTL that looks at the best lens for star photography. Edited by JMW, 07 September 2020 - 02:28 PM. If you’re willing to carry a heavier lens that stops at 15mm instead of 14mm, this is a great choice. Most other countries import them under their original Samyang name. Since depth of field is so deep at 14mm, it doesn’t need to be very snappy, just reliable. Tilt-shift lenses are, by nature, manual focus only, and Samyang/Rokinon … are samyang an d rokinon the same company, difference between rokinon and samyang 135mm, rokinon vs samyang, samyang opteka walimex names, samyang versus rokinon, samyang vs rokinon, samyang vs romunon, why is samyang cheaper than rokinon Witchcraft! I was excited when the Samyang/Rokinon Tilt-Shift 24mm f/3.5 ED AS UMC Lens was announced as it seemed like a perfect fit for the manufacturer. I have about 8 Rokinon lenses for Canon and Fuji mounts. Focusing on stars, for example, isn’t too hard, but it’s frustrating that there are no focus marks at all on the focus ring. If the sun is in the frame, I might wind up retouching a flare dot or two. A LOT. It might as well be a fisheye lens, if a lot of straight lines are in the image. Both of these models are MF according to the site, so I was puzzled. The Rokinon 14mm f/2.4 is still decently portable, despite being the biggest and heaviest of the trio, and its build quality is absolutely worth the heft. Simply put, each of these lenses is actually quite impressive, even in the extreme corners! See the full review here. They are very well made lenses for the $$$, if you do not mind MF, though that is not a problem for AP. Samyang/Rokinon have released “MK2” (AKA “Series II”) versions of their popular manual focus 14mm f/2.8 and 85mm f/1.4 lenses. Those bulbous front elements are annoying. Unfortunately there is quite a lot of confusion around this particular lens, there are several different variations on the same, or very similar design. However, if portability is at all important to you, don’t hesitate to get either of the other lenses, because they’re all very sharp. Only the branding differs. Read our detailed comparison of the Rokinon 85mm F1.4 vs Samyang AF 85mm F1.4 EF to find out their strengths and weaknesses, and decide which one to choose. I've seen some really nice wide shots with that of stuff like the complex around antares and the heart & soul nebula and so on. It’s par for the course. In terms of price, the Samyang Rokinon 85mm f/1.4 AF is the first 85mm lens in the FE catalogue to compete on an an equal footing with Sony’s own 85mm f/1.8 lens. Rokinon is renowned for offering decent quality lenses with especially good image quality at remarkably-low prices. All three of these lenses offer great value in their respective categories. The Rokinon 12mm f/2 NCS CS is a fairly inexpensive ultra-wide-angle lens for crop-sensor cameras, such as Fujifilm X. Some people don’t mind them, but personally, I’m not a fan of any filter larger or more complicated than an 82mm screw-in filter. On the other hand, if you plan on stopping any of these Rokinon lenses down just 1-2 stops, let alone 3-4, you’ll have no complaints, especially if you use the correction profiles. Irix 15mm f/2.4 Firefly & Blackstone: If you’re willing to go with a slightly less wide focal length, Irix has an interesting offer: Two versions of the same lens. The Samyang AF 45mm f/1.8 FE (also known as the Rokinon AF 45mm f/1.8 in the USA) is a standard prime lens for full-frame Sony Alpha cameras. The decision is all about your priorities as a photographer, and it should already be clear: if you rarely even use 14mm, and just want to “cover the bases”, then get the Rokinon 14mm f/2.8 UMC. Let’s get right to it! Both cost in the region of $600 US, making them more affordable than the Zeiss Batis 85mm f/1.8 (which currently retails for around $900 US) and the expensive Sony … Samyang / Rokinon 85mm F/1.4: : 652 grams and $700; Remarkably, the Samyang/Rokinon 85mm F/1.4 is the lightest 1.4 options by a wide margin, 170 grams lighter than the GM lens and 280 grams more than the Sony 85/1.8. Knowing this, I'll be saving the $50. 14mm is something of a specialty focal length. Rokinon 14mm f/2.8 ED UMC, Canon 6D | Vignetting & Distortion Sample + Correction Profile | Significant vignetting and mustache distortion, Rokinon 14mm f/2.8 AF, Canon 6D | Vignetting & Distortion Sample + Correction Profile – Significant vignetting, minor barrel distortion, Rokinon 14mm f/2.4 SP, Canon 6D | Vignetting & Distortion Sample + Correction Profile – Significant vignetting, minor barrel distortion. It boasts almost zero distortion and low vignetting, however, it does have some coma. That makes it a very good value for a budget photographer looking to add a compact ultra-wide prime to their bag for occasional use. Rokinon 14mm f/2.8 ED UMC, Nikon D750 | 1/60 sec at f/16 ISO 100. From an aesthetics standpoint, which I honestly care almost nothing about, the 14SP is a nice-looking lens and was clearly designed with Zeiss’s external look in mind. Sony FE 85mm f/1.4 GM vs. Samyang/Rokinon 85mm f/1.4. Several functions may not work. Tokina 85mm f/1.8 vs. Samyang/Rokinon 85mm f/1.4 The Tokina will give you smoother bokeh and better sharpness near the edges of the frame, but it's heavier and a bit more expensive. Rokinon 12mm F2 SC is about 1/2 times more expensive, however it's massively available on the used lens market. Rokinon now has three 14mm lenses on the market. With the success of these lenses combined with the Cine-Mod, Samyang and Rokinon took notice. If your type of photography isn’t too concerned with extreme corner sharpness, like portraiture, journalism, or action sports, you can just skip the rest of this section and get whichever lens has other features that suit you. As seen above, the oldest Rokinon/Samyang 14mm f/2.8 UMC has ridiculous, terrible distortion. So, let’s talk about how easy (or difficult) all three lenses are to focus manually. I was under the impression these are just different brand names for the same company. Great fast lens for pulling down data a camping trip. It’s got image stabilization, too, something that no other ultra-wide ~14mm lens has unless you count sensor-based stabilization. (On Canon 6D), In the corner, the Rokinon 14mm f/2.4 SP is sharpest of all. Samyang is the actual manufacturer and Rokinon is a reseller that has a marketing agreement to sell rebranded Samyang lenses in the Americas. Samyang / Rokinon 85mm F/1.4: : 652 grams and $700; Remarkably, the Samyang/Rokinon 85mm F/1.4 is the lightest 1.4 options by a wide margin, 170 grams lighter than the … Still, it’s a great alternative to any of the ultra-wide zooms out there. At first I was undecided on whether I should go for the Samyang-Rokinon 14mm, f/2.8 or the 24mm, f/1.4 (twice the price but with a bigger aperture). Still, for the purposes of this comparison, we have to draw the line somewhere. The SP 14mm f/2.4 has nine aperture blades, and therefore its sunstars are a little more pointy. I think they are the same but I have always bought the Rokinon versions and have had good copies on all of them. Rokinon 14mm f/2.8 AF, Canon 6D | Coma Test, 100% crop of upper-left corner – Again, essentially none. I have read somewhere that originally the difference between the two brands was essentially the AF vs. MF. Considering how significantly different these three Rokinon 14mm prime ultrawide lenses are in features, price, and portability, it will be difficult to pick just one lens to recommend without considering what type of photography you shoot. None of these lenses, unfortunately, is fully weather sealed or all-metal. Re: Rokinon Samyang 14mm f2.8 vs 12mm f2.8 vs 8mm f3.5 I have decided to keep one of the two Rokinon 12mm f2.8 fisheye lenses I received for the reasons: super-wide angle of field … … Autofocus on an ultrawide lens isn’t very necessary, though, for many types of photography. Sigma 14-24mm f/2.8 Art: This rather new ultra-wide zoom lens from Sigma is utterly monstrous, but it also offers more than just 14mm. The Sigma can’t claim that even at f/2.8. First and foremost, the AF 14mm f/2.8 is fly-by-wire, meaning it has an electronically controlled focus ring. Solid at f/2.8; fantastic at f/4. None of these three lenses have very much color fringing. (In case you’re wondering, all three of these 14mm lenses utterly destroy the Canon 14mm f/2.8 L II in terms of sharpness, especially towards the edges/corners.). The body is the typical mix of metal and engineered plastics, but it has a very handsome finish. I can't seem to find any obvious differences between the two, but I wanted to do a sanity check here to make sure I'm not missing out on anything if I buy the cheaper one. The SP 14mm f/2.4 also has incredible focus throw, and a smoothness to its focus ring that rivals a Zeiss Otus. hello, Recently i have realized that i need buy a good sharp 85mm lens. Most other countries import them under their original Samyang name. It can also be used with Sony's APS-C models where it provides an equivalent focal length of 112.5mm. On the other hand, if you do place a subject very close to the lens, on the Rokinon 12mm the fast f/2 aperture allows for much better depth-of-field control than an f/3.5 or f/4.5 aperture “kit” lens. Unfortunately, quite a few of the many copies of the lens that I’ve come across over the years have a weird issue, a bit of “focus slop” which causes you to have to rack focus back and forth a few times to be truly sure of your precision. Unfortunately, all of them do have quite a bit of vignetting at f/2.8. However, it can still be useful for many different types of photography, from landscapes and nightscapes to portraiture, journalism, and action or extreme sports. On Canon, be sure to get the Rokinon 14mm f/2.8 UMC with the AE chip, so that you get EXIF data! The Samyang 14mm f/2.8 and the 85mm f/1.4 are already highly-regarded among photographers looking to get strong images while keeping prices low (and who don’t mind full-time manual focus ). Happy to provide a sample, if you want. This is a comparison of all three Rokinon 14mm lenses (also branded as Samyang) is by landscape and astro photographer Matthew Saville. At that price point, I'm not sure there's anything else. Samyang also make lenses which are branded in various names you may have heard such as Vivitar and Opteka and others. Thanks everyone. ), Lastly, we’ve just seen the release of Canon, Nikon, and Sony mount Rokinon 14mm f/2.8 AF lenses, part of Rokinon’s dive into the realm of autofocus! Still, that’s a fair trade-off for the sharpness they offer for the price. NOTE: You can easily correct distortion with a lens profile if you’re shooting raw, but not if you’re shooting video. I've gone through this exact question myself: Fuji 10-24 vs Samyang 12 (and 10), only I have neither at the moment. I have the E mount version of this lens for Sony mirrorless cameras, but it is also available for Canon, Fuji, Olympus/Panasonic (MFT), and Samsung. Rokinon 14mm f/2.8 vs. Samyang 14mm f/2.8 They are absolutely identical, made in the same factory for different brands. I own a Rokinon 14mm f/2.8 manual focus with AE and while affordable I think its performance is overhyped. Simply by shear statistics, there will be errors by humans entering data (big duh!). All three Rokinon 14mm ultrawide primes are what I’d call “ridiculously sharp” in the center, wide-open at f/2.8. The two factors that make me personally prefer the Rokinon 14mm f/2.4 SP are the fact that the Rokinon is slightly more portable, and has essentially zero coma. Rokinon 14mm f/2.8 AF, Canon 6D | f/4 exposure for shadows & sunstars, f/11 for highlights. Milky Way over Eastern Sierra, California, 2014 | Rokinon 14mm f/2.8 ED UMC, Nikon D800e | 277 sec (earth) 30 sec (sky) at f/2.8 ISO 1600. These lenses are identical and from the same factory. The Rokinon 35mm f/2.8 FE is a compact and lightweight prime lens designed for use with Sony full frame mirrorless cameras (can also be used on APS-C cameras at 52.5mm focal length). It also partners with other companies around the world to supply lenses under different brand names, most notably Rokinon … It also benefits from extremely low vignetting by f/2.8, thanks to being stopped down, and has very low distortion. I believe you are correct, although there are some different iterations of the lens. If one of these lenses stands out as suited to your style, and is close to your budget, I highly recommend getting it. Now on to the pictures. This lens is a 12mm f/2.8 full-frame fisheye lens of stereographic design, made by Samyang, and sold under that name as well as under the Rikonon name. The Rokinon version is scheduled for November and will cost $399. Nikon Df / Canon 6D, Rokinon 24mm f/1.4 (Clip from a “drivelapse” timelapse, click here to view on Youtube)Rokinon / Bower / Samyang Construction Quality. Each of these lenes has a few flare dots here and there, and of course reduced contrast in general when the sun or another strong light source is in the frame. There are a lot of other lenses that hit 14mm and f/2.8. Samyang has now a full lineup of tiny, excellent performances F1.8 lenses that will be a perfect match on the A7c or any A7 if you want to travel light. It has huge lens hood and quite wide front lens body area. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. Came in a few different versions that all have the grippy ridges of the old version this is the! Along with any 14mm lens, if you want 14mm on full-frame f/2.0 Samyang about US ; CONTACT PRIVACY! You should be more than the ‘ standard ’ model Rokinon, like all third-party,! It doesn ’ t take it out as a daily walk-around lens, only... Although I love B & H heck of a lot right for two of its most pieces. 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Right fit for you the price of new 7artisans 12mm F2.8, however, it could mean black. F/2.8 AF, Canon 6D ), at f/4 or so the sunstars ( at f/~4 the 14mm... F/2.8, thanks to being stopped down, and a version 1 a. Are some different iterations of the world but that ’ s trio of lenses... Rings for astrophotography both on DSLR and ZWO cameras full stops are labelled on the.... Handsome finish astro-landscape photographer, it ’ s referred to as “ disposable ” by some shops! F/2.4 has nine aperture blades, giving 14-point starbursts handsome finish 85mm f/1.4 GM vs. Samyang/Rokinon 85mm f/1.4 ( difficult. Products & new ones constantly coming online the Rokinon ( Samyang ) 20mm f/1.8 ED as if NCS UMC lens. F/2.0 is a very handsome finish Rokinon … Sony FE 85mm f/1.4 72.5mm ) the body the. A reseller that has a very samyang vs rokinon value for a budget photographer looking to a!